Academic Study: Not Enough Diversity in Movies Although Americans Want MORE

PROF. STACY L. SMITH. WANTS MORE DIVERSITY.

A feminist professor thinks that Jews are white and that there aren’t enough women and colored folks in American movies.

Ironically, I quit watching TV when blacks, queers, and 90 pound women beating down 200 pound Nazi villains became the norm. It’s also not in the least pleasant to see so many Jews in leading and supporting roles. The number is way beyond their numbers in the general population.

Business Insider

JULY 31, 2017 LOS ANGELES—In 2016 “Moonlight” won best picture and “Hidden Figures” was the 14th highest grossing film of the year, but popular Hollywood films remained as white and male-dominated as ever.

A new report from the Media, Diversity, & Social Change Initiative at the University of Southern California’s Annenberg School for Communication and Journalism finds that the representation of women, minorities, LGBT people, and disabled characters in films remains largely unchanged from the previous year, despite the heightened and attention to diversity in Hollywood.

At the bottom of the rung and most egregiously disproportionate to their US demographics are women, Hispanics, and disabled characters.

STUPID JEW CRAP.

Exclusion, the report says, is the norm in Hollywood, not the exception. For nine years since 2007, USC has analyzed the demographic makeup of every speaking or named character from each year’s 100 highest-grossing films at the domestic box office (with the exception of 2011), as well as behind-the-camera employment for those films including directors, producers and composers.

“Every year we’re hopeful that we will actually see change,” Stacy L. Smith, a USC professor and the study’s lead author, told The Associated Press. “Unfortunately that hope has not quite been realized.”

Women remain vastly underrepresented when it comes to both speaking roles and lead or co-leading parts in films. Of the 4,583 speaking characters analyzed from the top 100 films of 2016, 31.4 percent were female, a number that is basically unchanged since 2007. Also, only 34 of the films depicted a female lead or co-lead – and only three of those were from underrepresented groups.

“We see a real stalling out,” Dr. Smith said.

In terms of race and ethnicity, the landscape remains largely white, with Hispanics grossly underrepresented compared to the breakdown of the US population. Of the speaking characters surveyed: 70.8 percent were white; 13.6 percent black; 5.7 percent Asian; 3.1 percent Hispanic; and less than 1 percent American Indian, Alaska Native or Native Hawaiian.

According to the latest US Census, the nation is 61.3 percent white, 17.8 percent Hispanic, 5.7 percent Asian, 13.3 percent black, 1.3 percent American Indian and Alaska Native and 0.2 percent Native Hawaiian.

lupita nyongo 12 years a slave
Lupita Nyong’o won an Academy Award for her role in 12 Years A Slave, but black women are still wildly underrepresented. Fox Searchlight
More striking still is the film by film “invisibility” breakdown, which finds that 25 of the 100 films did not feature a single black character in a speaking role; 54 films had no Hispanic characters (14 higher than in 2015); 44 had no Asian characters (a rare improvement from 2015 which tallied 49 films with zero Asians).

For women of color, it’s a bleaker story.

“We can’t just talk about females in film anymore. What our data shows most powerfully this year over any other year is the real epidemic of intersectional invisibility in film,” Smith said. “If you cross gender with race and ethnicity, you see that the bottom really drops out for females of color on screen.”

The data speaks volumes: 47 films featured no black females; 66 had no Asian females; and 72 had no Hispanic females.

Also largely invisible are LGBT females, who were excluded from 91 of the top 100 films of 2016. There was a notable increase in films with gay speaking characters in 2016 – 36 up from 19, but zero transgender characters. Most of those – 79.1 percent – were white and 76 of the 100 films had no LGBT characters. Only one, “Moonlight,” featured a gay protagonist.

The study also examined characters with disabilities – its second year doing so – and found that despite nearly 18.7 percent of the US population identifying as disabled only 2.7 percent of all speaking characters were depicted as disabled.

Behind the camera, things continue to be dismal for female directors – in 2016 there were only 5 female directors out of 120 (including co-directors) and none were black. Every year there are indicators of change, however, including this year with the successes of “Wonder Woman,” ”Get Out,” and “Girls Trip” among others, and more on the horizon.

The Academy of Motion Picture Arts and Sciences has also recently made strides to diversify its membership.

“The question is with all of these high-profile examples, will the memo to Hollywood be read seriously and will they actually start engaging in more inclusionary hiring practices,” Smith said.

USC has a number of recommendations for changes – including adding five female speaking parts to each top film (which would result in gender equity in just three years) and encouraging A-listers to implement equity clauses into their contracts. The organization is also available to studios and content creators looking for advice, understanding or even lists of working female directors to consider.

“Diversity is not just something that just happens,” said Katherine Pieper, a research scientist on the report. “It’s something you have to think about and aim for as an objective and achieve.”

UH, NO THANKS.

6 thoughts on “Academic Study: Not Enough Diversity in Movies Although Americans Want MORE

  1. “popular Hollywood films remained as white and male-dominated as ever.”
    This has to be a joke, surely?
    Do they count Jew actors as whites? Probably yes. Writers, producers, directors etc , more jews? The Jewcademy Awards are dominated by whitish AshkeNazi jews. As are the Nobel Dynamite Prizes.

    “popular Hollywood films remained as PC and jew-dominated as ever.”

    “nearly 18.7 percent of the US population identifying as disabled’. This might make the USA the weakest and sickest of all nations on earth, bar none. Maybe a lot of fakers with their Emotional Companion Dogs etc.

  2. About 65% of moviegoers in 2014 were White. And I believe it’s (((planned))) by targeting content and using White actors that interest Whites.

    HA! Besides fattening their wallets, (((Hollywood))) is an educational instrument…teaching Whites to hate themselves.

    A study done by Indiana University showed “the higher the percentage of black actors in the movie, the less interested white participants were in seeing the movie,”

    Go ahead, make them all non-White and I will happily watch the movie industry go bankrupt.

  3. I have not paid for a jew movie in years. Refuse to pay my money to put shekels in a jew’s pocket. I do watch movies sometimes on JewTube and see TV at friends’ houses. Other than movies made in my father’s/grandfather’s time, the characters are jews, women, sodomites, niggers, spics, and colored mystery-meat. This ‘professor’ is another crazed spinster cat-woman who hates YT men. F*ck her.

    • Even where the actors seem to be white – they are lampooning all decent white values. American Beauty (Ugly) glorifies homos above all – the only nice “normal” couple in the film. The movie mocks marriage by normal people as a horrible institution, and having children and a clean house is also horrible. (Clean homo house is of course Good). Also promotes perversion, drug use, and paedophilia, chucking in one’s high paid job and blackmailing the boss, flipping hamburgers and smoking dope as the path to bliss, insulting the Marines (who are crazed secret homos) etc.
      Yet the movie would be in this survey as “too white”. Ha!

      This piece of Jew Spew anti white propaganda won 5 JewCadMe Awards.

      • I stopped watching TV in the 80s. I never was one for newer movies. After the 50s or maybe early 60s were done, I was done with movies. The local New Orleans independent TV station used to run 40s classics like The Maltese Falcon in prime time. Those were movies I would watch.

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